How can the manipulation of objects through a scanner be used as a typographic and storytelling tool to create new visual hierarchies and meanings in graphic design?
The way objects are scanned—through distortion, movement, layering, or glitching—creates a dynamic process where hierarchy and storytelling are redefined. The viewer is invited to reinterpret what they see, and the image becomes more than a static representation; it becomes a site of interaction and disruption.
